Traces

traces (swinging)

traces (swinging)

A ongoing project investigating the space that’s been left by the change in attitude to photographing children in public and looking at what’s been left behind.

Often involving found objects abandoned by the families these will stand in stead of what used to be one of the most photographed subjects by amateur and professional photographers alike.

An internalised taboo has come into force that stops photographers from feeling comfortable photographing children in the public sphere, even their own.

An image of predatory behaviour that is leaving a huge gap in the photographic record of social history.

Art Library

Photography - A Feminist History

Photography – A Feminist History

My personal collection of art books, sitting there on my shelves.

This used to be a little bigger but I decided a while back to concentrate more on later 19th century and onward works, particularly feminist art and photography.

Last updated: 5th January 2025

  • 100 Artists’ Manifestos – Alex Danchev
  • 100 Ideas That Changed Photography – Mary Warner Marian
  • 140 Artists’ Ideas for Planet Earth – Hans Ulrich Obrist, Kostas Stasinopoulos
  • 1001 Photographs You Must See Before You Die – Paul Lowe
  • About Looking – John Berger
  • Abstract Art – Anna Moszynska
  • Aesthetics and its Discontents – Jacques Ranciere
  • Aesthetics and the Sociology of Art – Janet Wolff
  • After Photography – Fred Ritchin
  • American Geography – Matt Black
  • The Americans – Robert Frank
  • Another Country: British Documentary Photography since 1945 – Gerry Badger
  • Art of the Extreme: 1905—1914 – Philip Hook
  • The Art of Feminism – Lucinda Gosling et al
  • Art History: A Critical Introduction to its Methods – Michael Hatt, Charlotte Klonk
  • Art History and its Methods: A Critical Anthology – Eric Fernie
  • Art & Illusion – E.H. Gombrich
  • Art and Its Histories: A Reader – Steve Edwards
  • Art in History – Martin Kemp
  • Art and Photography – David Campany
  • Art in Renaissance Italy – Evelyn Welch
  • Art in Theory: 1648—1815 – Charles Harrison, Paul Wood, Jason Gaiger
  • Art in Theory: 1815—1900 – Charles Harrison, Paul Wood, Jason Geiger
  • Art in Theory: 1900—2000 – Charles Harrison, Paul Wood
  • Art Theory: An Historical Introduction – Robert Williams
  • Art in Theory: The West in the World – Paul Wood, Leon Wainwright, Charles Harrison
  • Art of the Avant-Gardes – Steve Edwards, Paul Wood
  • Art of the Twentieth Century: A Reader – Jason Gaiger, Paul Wood
  • Art Worlds – Howard S. Becker
  • The Artist’s Way – Julia Cameron
  • Bachelors – Rosalind Krauss
  • Basics Creative Photography 02: Context and Narrative – Maria Short
  • Basic Critical Theory for Photographers – Ashley la Grange
  • Beg, Steal & Borrow: Artists Against Originality – Robert Shore
  • Bert Hardy – Tom Hopkinson
  • Body: The Photobook – Nathalie Herschdorfer
  • The Book of Symbols – Ami Ronnberg
  • Bookcraft – Heather Weston
  • A Brief History of Curating New Media Art – Sarah Cook et al
  • A Brief History of Protest Art – Aindrea Emelife
  • British Photographers – Cecil Beaton
  • British Surrealism & Other Realities: The Sherwin Collection – mima
  • Calligraphy for the Beginner – Tom Gourdie
  • The Calligraphy Ideas Book – Lyndsey Gribble
  • Camera Lucida – Roland Barthes
  • Celtic Art & Design – Iain Zaczek
  • Central Saint Martins Foundation – Lucy Alexander, Timothy Meara
  • The Challenge of the Avant-Garde – Paul Wood
  • Civilizing Rituals: Inside Public Art Museums – Carol Duncan
  • Collins Complete Artist’s Manual – Collins*
  • Colonial Discourse and Post-Colonial Theory – Patrick Williams, Laura Chrisman
  • The Complete Book of Drawing – Barrington Barber
  • The Complete Engravings, Etchings & Drypoints of Albrecht Durer – Walter L. Strauss
  • Complete Guide to Black and White Photography – John Hedgecoe
  • The Complete Guide to Calligraphy – Professor Ralph Cleminson
  • Complete Guide to Watercolour Painting – David Bellamy
  • Concepts of Modern Art: From Fauvism to Postmodernism – Nikos Stangos
  • Conceptual Art – Tony Godfrey
  • A Concise History of Modern Painting – Herbert Read
  • Confabulations – John Berger
  • Constructing Wooden Images – Carl Van de Velde et al
  • Contemporary Cultures of Display – Emma Barker
  • The Courage to Create – Rollo May
  • Creation: Art Since the Beginning – John-Paul Stonard
  • Creative Acts for Curious People – Sarah Stein Greenberg
  • The Creative Habit: Learn It and Use It for Life – Twyla Tharp
  • Creative Handmade Paper – David Watson
  • Critical Terms for Art History – Robert S. Nelson, Richard Shiff
  • Cuba by Korda – Christopher Loviny
  • The Curator’s Handbook – Adrian George
  • Cyanotype: The Blueprint in Contemporary Practice – Christina Z. Anderson
  • Design and Crime (And Other Diatribes) – Hal Foster
  • Difference and Excess in Contemporary Art: The Visibility of Women’s Practice – Gill Perry
  • DO/DESIGN: Why Beauty is the Key to Everything – Alan Moore
  • Documents – Diane Arbus, Max Rosenberg
  • Don’t Get a Job… Make a Job – Gem Barton
  • Douthwaite: Paintings and Drawings 1951—1988 – Third Eye Centre
  • Draw Paint Print Like the Great Artists – Marion Denchars
  • Draw: Conversations Around the Legacy of Drawing – mima
  • The Drawing Ideas Book – Frances Stanfield
  • Drawing Projects: An Exploration of the Language of Drawing – Mick Maslen, Jack Southern
  • The Duchamp Dictionary – Thomas Girst
  • Duchamp Manray Picabia – Jennifer Mundy
  • The Dusseldorf School of Photography – Stefan Gronert
  • The Encyclopedia of Papermaking and Bookbinding – Heidi Reimer-Epp, Mary Reimer
  • English Medieval Tiles – Elizabeth Eames
  • English Stained Glass – Painton Cowen
  • Europeans: Henri Cartier-Bresson – Henri Cartier-Bresson, Jean Clair
  • Everything, All the Time, Everywhere – Stuart Jeffries
  • Everything You Always Wanted to Know About Curating – Hans Ulrich Obrist
  • The Family of Man – Edward Steichen
  • Fra Angelico to Leonardo: Italian Renaissance Drawings – Hugo Chapman, Marzia Faietti
  • Framing Feminism: Art and. the Women’s Movement 1970—1985 – Rozsika Parker, Griselda Pollock
  • The Fundamentals of Drawing: A Complete Professional Course for Artists – Barrington Barber
  • Gaudi: Complete Works – Isabel Artigas
  • Gender and Art – Gill Perry
  • The Genius of Photography: How Photography Has Changed Our Lives – Gerry Badger
  • Geometry of Design – Kimberly Elam
  • German Expressionist Woodcuts – Shane Weller
  • Giotto to Durer: Early Renaissance Painting in the National Gallery – Jill Dunkerton et al
  • The Global Art Compass: New Directions in 21st-Century Art – Alistair Hicks
  • Gorbals Children: Joseph McKenzie A Study In Photographs – Joseph MkKenzie
  • Great Women Artists – Phaidon
  • Green Waters – Alec Finlay
  • Handmade Prints – Anne Desmet, Jim Anderson
  • Hayao Miyazaki – Jessica Niebel
  • The History of British Art: 600—1600 – Tim Ayers
  • The History of British Art: 1600—1870 – David Bindman
  • The History of British Art: 1870—Now – Chris Stephens
  • A History of Photography: From 1839 to the present – The George Eastman House Collection
  • Homes Fit for Heroes – Bill Brandt
  • How to Make Books – Esther K. Smith
  • How to See the World – Nicholas Mirzoeff
  • How to Write Art History – Anne D’Alleva
  • Illuminations – Walter Benjamin
  • Image Music Text – Roland Barthes
  • In the Balkans – Nikos Economopoulos
  • In the Darkroom – Sarah Kennel
  • Indie Publishing: How to Design and Produce Your Own Book – Ellen Lupton
  • Ink on Paper: poetry and art – Colette Bryce
  • Inside the White Cube: The Ideology of the Gallery Space – Brian O’Doherty
  • Just Draw It! – Sam Piyasena, Beverly Philp
  • Keeping an Eye Open – Julian Barnes
  • Larry Burrows: Compassionate Photographer – Time Life
  • Learn to Paint Watercolours – Alwyn Crawshaw
  • Learning Linocut – Susan Yeates
  • Light: Science & Magic – Fil Hunter
  • Light Matters – Vicki Goldberg
  • Linocut for Artists and Designers – Nick Morley
  • Linocut: Learn in a Weekend – Nick Morley
  • Magnum Magnum – Brigitte Lardinois
  • Make a Zine! – Joe Biel, Bill Brent
  • Making Handmade Books: 100+ Bindings, Structures & Forms – Alisa Golden
  • Making Mini Books: Big Ideas for 30+ Little Projects – Kathleen McCafferty
  • Martin Parr – Sandra S. Phillips
  • Masters of the Camera – Gene Thornton
  • Masterworks of Modern Photography 1900—1940 – Sarah Hermanson Meister
  • Medieval Art – Veronica Sekules
  • The Medium is the Massage – Marshall, McLuhan, Quentin Fiore
  • The Meaning of Art – Herbert Read
  • The Methodologies of Art: An Introduction – Laurie Schneider Adams
  • Methods & Theories of Art History – Anne D’Alleva
  • Modern Sculpture – Herbert Read
  • Modern World: The Art of Richard Hamilton – Michael Bracewell
  • Modernism – Richard Weston
  • A Moment in Time: Scottish Contributions to Photography 1840—1920 – John Hannavy
  • Museums After Modernism: Strategies of Engagement – Griselda Pollock, Joyce Zemans
  • Mythologies – Roland Barthes
  • The Nature of Photographs – Stephen Shore
  • The New Art History – A>L> Rees, F. Borzello
  • The New Drawing on the Right Side of the Brain – Betty Edwards
  • The New Museology – Peter Vergo
  • The New Philistines – Sohrab Ahmari
  • The New Photography – Catharine Reeve, Marilyn Sward
  • North Country Quilts – Dorothy Osler
  • The Northern Renaissance – Jeffrey Chipps Smith
  • Northern Renaissance Art – Susie Nash
  • The Object – Antony Hudek
  • Old Mistresses: Women, Art and Ideology – Rozsika Parker, Griselda Pollock
  • On Art and Life – John Ruskin
  • On Not Being Able to Paint – Joanna Field
  • One Thousand Years of Manga – Brigitte Koyama-Richard
  • The Ongoing Moment – Geoff Dyer
  • On Photography – Susan Sontag
  • Orientalism – Edward W. Said
  • The Origins of Postmodernity – Perry Anderson
  • Oscar Marzaroli: Photography 1959—1968 – Bourne 2010
  • Outsider Art: Spontaneous Alternatives – Colin Rhodes
  • Painters and Public Life in Eighteenth-Century Paris – Thomas E. Crow
  • The Papercraft Ideas Book – Jessica Baldry
  • Photo Art Processes – Nancy Howell-Koehler
  • Photo Idea Index – Jim Krause
  • The Photobook: A History volume I – Martin Parr, Gerry Badger
  • The Photobook: A History volume II – Martin Parr, Gerry Badger
  • Photobox: The Essential Collection 250 Images You Need to See – Roberto Koch
  • The Photograph – Graham Clarke
  • The Photograph as Contemporary Art – Charlotte Cotton
  • Photographers A—Z – Hans-Michael Koetzle
  • The Photographer’s Eye – Michael Freeman
  • The Photographer’s Eye – John Szarkowski
  • Photographers on Photography – Henry Carroll
  • The Photographer’s Playbook – Jason Fulford, Gregory Halpern
  • Photography: A Critical Introduction – Liz Wells
  • Photography: Essays & Images – Beaumont Newhall
  • Photography: A Feminist History – Emma Lewis
  • The Photography Book – Phaidon
  • The Photography Ideas Book – Lorna Yabsley
  • The Photography Reader – Liz Wells
  • Photography Rules – Paul Lowe
  • Photography Speaks: 150 Photographers On Their Art – Brooks Johnson
  • Photography: The Whole Story – Juliet Hacking
  • The Polaroid Book – Steve Crist
  • Portfolio #39
  • Portraits: John Berger on Artists – Tom Overton
  • Practical Course in Watercolour Painting: Composition and Interpretation – Jose M. Parramon
  • Practical Course in Watercolors: Techniques & Color – Jose M. Parramon
  • Principles of Art History – Heinrich Wolfflin
  • Print Workshop: Hand-Printing Techniques & Truly Original Projects – Christine Schmidt
  • Printmaking: A Complete Guide to Materials and Processes – Beth Grabowski, Bill Fick
  • The Printmaking Handbook – Louise Woods
  • The Printmaking Ideas Book – Frances Stanfield, Lucy McGeown
  • Printmaking: Traditional and Contemporary Techniques – Ann d’Arcy Hughes, Hebe Vernon-Morris
  • Propaganda – Mark Holborn
  • Pulled: A Catalog of Screen Printing – Mike Parry
  • Railway Mania – Bonnie Camplin
  • Read This If You Want to Be Great at Drawing – Selwyn Leamy
  • Read This If You Want to Take Great Photographs – Henry Carroll
  • Read This If You Want to Take Great Photographs of People – Henry Carroll
  • Realism in 20th Century Painting – Brendan Prendeville
  • Regarding the Pain of Others – Susan Sontag
  • Renaissance Art Reconsidered – Carol M. Richardson
  • Renaissance Women Patrons – Catherine E. King
  • Renew Marxist Art History – Warren Carter et al
  • The Return of the Real – Hal Foster
  • The Revolution of Everyday Life – Raoul Vaneigem
  • Revolution on Paper: Mexican Prints 1910—1960 – Dawn Ades, Alison McClean
  • The Rodchenko Family Workshop – Stepanova
  • Rose Frain Survey – Rose Frain
  • The Routledge Companion to Aesthetics – Berys Gaut, Dominic McIver Lopes
  • See Red Women’s Workshop: Feminist Posters 1974&mdash1990
  • The Seeing Eye: The Life and Work of George Oliver – Cordelia Oliver
  • Shades of Grey: Glasgow 1956—1987 – Oscar Marzaroli, William McIlvanney
  • Shades of Scotland 1956—1988 – Oscar Marzaroli, James Grassie
  • Shape of Light: 100 Years of Photography and Abstract Art – Simon Baker
  • Shaping the World – Antony Gormley, Martin Gayford
  • Signs & Symbols in Christian Art – George Ferguson
  • The Sketchbook Challenge – Sue Bleiweiss
  • Sketchbooks: The Hidden Art of Designers, Illustrators & Creatives – Richard Brereton
  • Society of the Spectacle – Guy Debord
  • Stained Glass Basics – Chris Rich
  • The Story of Art Without Men – Katy Hessel
  • Styles, Schools and Movements – Amy Dempsey
  • The Sublime – Simon Morley
  • Surreal Spaces: The Life and Art of Leonora Carrington – Joanna Moorhead
  • Symbols and Allegories in Art – Matilde Battistini
  • The Tarot of Leonora Carrington – Susan Aberth, Tere Arcq
  • Ten Thousand Years of Pottery – Emmanuel Cooper
  • Theory in Contemporary Art since 1985 – Zoya Kocur, Simon Leung
  • Think Like a Street Photographer – Matt Stuart
  • Thinking About Art – Penny Huntsman
  • Thinking About Exhibitions – Reesa Greenberg et al
  • This Means This This Means That – Sean Hall
  • This Pleasant Land – Rosalind Jana
  • Tools and Materials for Calligraphy – Patricia Lovett
  • Tove Jansson – Exhibition Catalogue
  • Trust the Process: An Artist’s Guide to Letting Go – Shaun McNiff
  • Turner: The Vaughan Bequest – Christopher Baker
  • Understanding a Photograph – John Berger
  • Unravelling Women’s Art – P.L. Henderson
  • A Victim of Anonymity – Neil Macgregor
  • Vision and Difference – Griselda Pollock
  • Walker Evans 55 – Luc Sante
  • Watercolour for the Absolute Beginner – Matthew Palmer
  • Watercolour Challenge: Practical Painting Course – Channel 4 Books
  • The Watercolour Ideas Book – Joanna Goss
  • Ways of Curating – Jans Ulrich Obrist
  • Ways of Seeing – John Berger
  • What is Black Art? – Alice Correia
  • What Is Contemporary Art? – e-flux journal
  • What They Didn’t Teach You in Photo School – Demetrius Fordham
  • Why Are We ‘Artists’? 100 World Art Manifestos – Jessica Lack
  • Why It Does Not Have to Be in Focus – Jackie Higgins
  • Why Photographers Prefer Cloudy Days – Haje Jan Kamps
  • Why Your Five Year Old Could Not Have Done That – Susie Hodge
  • Without Day – Alec Finlay
  • The Workshop of Thomas Bewick: A Pictorial Survey – Iain Bain
  • A World History of Photography – Naomi Rosenblum

Palace Hub Gallery, Redcar

Blue Redcar Morning

Blue Redcar Morning

After a lot of thought I finally decided to submit some of my photographic work to the Palace Hub Gallery in Redcar to see if I could get some exhibited.

The series was photographs of Redcar beach on a wintery dawn, which gave a really lovely blue cast to the sky.

I had three accepted for the group exhibition 🙂

This really meant I had to get more work done on my website in preparation for these being shown, and to keep moving forward with my practice (which I didn’t of course)

Annoyingly though I had forgotten that there was also an alternative process exhibition which I could have submitted Cyanotype images into.

(this show was in 2015)

Art Manifesto

DADA

DADA

When I was studying for my Art History degree with the Open University I wrote an assignment concerning the development of the artist’s manifesto during the 19th and 20th century and how this was linked to a more individualistic approach to the arts rather than working from the ideals of the French, Italian or British schools of art.

This list has travelled around various blogs but is now settling down here.

Links will take you to the article on this website.

  1. Gustav Courbet ‘Realist Manifesto’ (1855)
  2. F.T. Marinetti ‘The Founding and Manifesto of Futurism’ (1909)
  3. Ananda K Coomaraswamy ‘Art and Swadeshi’ (1909)
  4. Takamura Kōtarō ‘A Green Sun’ (1910)
  5. Umberto Boccioni and others ‘Manifesto of the Futurist Painters’ (1910)
  6. Umberto Boccioni and others ‘Futurist Painting: Technical Manifesto’ (1910)
  7. F.T. Marinetti ‘Against Traditionalist Venice’ (1910)
  8. Guillaume Apollinaire ‘On the Subject in Modern Painting’ (1912)
  9. Valentine de Saint-Point ‘Manifesto of Futurist Women’ (1912)
  10. Wassily Kandinsky and Franz Marc ‘Preface to Der Blaue Reiter Almanac’ (1912)
  11. Luigi Russolo ‘The Art of Noises’ (1913)
  12. Mikhael Larionov and Natalya Goncharova ‘Rayonists and Futurists: A Manifesto’ (1913)
  13. Guillaume Apollinaire ‘L’antitradition futuriste’ (1913)
  14. Carlo Carrà ‘The Painting of Sounds , Noises and Smells’ (1913)
  15. Giacomo Balla ‘Futurist Manifesto of Men’s Clothing’ (1913)
  16. Valentine de Saint-Point ‘Futurist Manifesto of Lust’ (1913)
  17. Mina Loy ‘Aphorisms on Futurism’ (1914)
  18. F.T. Marinetti and C.R.W. Nevinson ‘The Futurist Manifesto Against English Art’ (1914)
  19. Wyndham Lewis and others ‘Our Vortex’ (1914)
  20. Wyndham Lewis and others ‘Manifesto’ (1914)
  21. Antonio Sant’ Elia ‘Manifesto of Futurist Architecture’ (1914)
  22. F.T. Marinetti and others ‘Futurist Synthesis of the War’ (1914)
  23. Mina Loy ‘Feminist Manifesto’ (1914)
  24. Ricciotto Canudo ‘Cerebrist Art’ (1914)
  25. Carlo Carrà ‘Warpainting’ (1915)
  26. Vladimir Mayakovsky ‘A Drop of Tar’ (1915)
  27. Hugo Ball ‘Dada Manifesto’ (1916)
  28. Tristan Tzara ‘The 1st DADA Manifesto’ (1916)
  29. Kasimir Malevich ‘Suprematist Manifesto’ (1916)
  30. Olga Rozanova ‘Cubism, Futurism, Suprematism’ (1917)
  31. Vladimir Mayakovsky and others ‘Manifesto of the Flying Federation of Futurists’ (1918)
  32. Richard Huelsenbeck ‘First German Dada Manifesto’ (1918)
  33. Amédéé Ozenfant and Charles Edouard Jeanneret ‘Purism’ (1918)
  34. Tristan Tzara ‘Dada Manifesto’ (1918)
  35. Aleksandr Rodchenko and others ‘Manifesto of Suprematists and Non-Objective Painters’ (1919)
  36. Richard Huelsenbeck and Raul Hausmann ‘What is Dadaism and what does it want in Germany?’ (1919)
  37. Walter Gropius ‘What is Architecture?’ (1919)
  38. Walter Gropius ‘Bauhaus Manifesto’ (1919)
  39. Francis Picabia ‘Dada Manifesto’ (1920)
  40. Francis Picabia ‘Dada Cannibalistic Manifesto’ (1920)
  41. Tristan Tzara and others ‘Twenty-Three Manifestos of the Dada Movement’ (1920)
  42. Naum Gabo and Anton Pezner ‘The Realistic Manifesto’ (1920)
  43. Liubov Popova ‘ On Organizing Anew’ (1921)
  44. Ljubomir Micič ‘Manifest Zenzitizma’ (1921)
  45. Tristan Tzara and others ‘ Dada Excites Everything’ (1921)
  46. Manuel Maples Arce ‘A Strident Prescription’ (1921)
  47. Dziga Vertor ‘WE: Variant of a Manifesto’ (1922)
  48. Vincente Huidabro ‘We Must Create’ (1922)
  49. Aleksandr Rodchenko ‘Manifesto of the Constructivist Group’ (1922)
  50. Theo van Doesburg and others ‘Manifesto I of De Stijl’ (1922)
  51. Le Corbusier ‘Toward an Architecture’ (1923)
  52. Theo van Doesburg and others ‘Manifesto Prole Art’ (1923)
  53. Tomoshoi Murayama and others ‘Mavo Manifesto’ (1923)
  54. David Alfaro Siqueiros and others ‘ Manifesto of the Union of Mexican Workers, Technicians, Painters and Sculptors’ (1923)
  55. The Red Group ‘Manifesto’ (1924)
  56. André Breton ‘Manifesto of Surrealism’ (1924)
  57. José Carlos Mariátegui ‘Art, Revolution and Decadence’ (1926)
  58. Oswaldo de Andrade ‘Cannibalist Manifesto’ (1928)
  59. Salvador Dalí and others ‘Yellow Manifesto’ (1928)
  60. André Breton ‘Second Manifesto fo Surrealism’ (1929)
  61. The Art Movement Society ‘Manifesto’ (1929)
  62. F.T. Marinetti and others ‘Manifesto of Futurist Cuisine’ (1930)
  63. Légitime Défense ‘Manifesto’ (1932)
  64. The Storm Society ‘Manifesto’ (1932)
  65. John Reed Club of New York ‘Draft Manifesto’ (1932)
  66. Karoly (Charles) Sirato and others ‘Dimensionist Manifesto’ (1932)
  67. Mario Sironi ‘Manifesto of Mural Painting’ (1933)
  68. Peyami Safa ‘D Group Manifesto’ (1933)
  69. Aimé Césaire ‘Négreries: Black Youth and Assimilation’ (1935)
  70. André Breton, Diego Rivera and Leon Trotsky ‘Manifesto: Towards a Free Revolutionary Art’ (1938)
  71. Jean (Hans) Aro ‘Concrete Art’ (1942)
  72. The European School ‘ Manifesto (1945)
  73. Georges Henein ‘Manifesto’ (1945)
  74. Lucio Fonana ‘White Manifesto’ (1946)
  75. Edward Bayley and others ‘Inventionist Manifesto’ (1946)
  76. Arte Madi ‘Madi Manifesto’ (1947)
  77. Constant Nieuwenhuys ‘Manifesto’ (1948)
  78. Barnett Newman ‘The Sublime is Njow’ (1948)
  79. Vladimir Boudnik ‘Explosionalism Manifesto No. 2’ (1949)
  80. Shakir Hassan al-Said ‘Manifesto of the Baghdad Modern Art Group’ (1951)
  81. The Fighting Cock Art Group ‘The Nightingale’s Butcher Manifesto’ (1951)
  82. Exat 51 Group ‘Manifesto’ (1951)
  83. Grupo ruptura ‘ruptura Manifesto’ (1952)
  84. The Calcutta Group ‘Manifesto of the Calcutta Group’ (1953)
  85. Victor Vasarely ‘Notes for a Manifesto’ (1955)
  86. Jirō Yoshihara ‘The Gutai Manifesto’ (1956)
  87. Ferrára Guillar ‘Neo-Concrete Manifesto’ (1956)
  88. Enrico Baj ‘Interplanetary Art’ (1959)
  89. Jean Tinguely ‘For Static’ (1959)
  90. Ferreira Gullar ‘Neo-Concrete Manifesto’ (1959)
  91. Gustav Metzger ‘Auto-Destructive Art’ (1959, 1960, 1961)
  92. Guy Debord ‘Situationist Manifesto’ (1960)
  93. Uche Okeke ‘Natural Synthesis’ (1960)
  94. Pierre Restany ‘1st Statement on New Realism’ (1960)
  95. Claes Oldenburg ‘I am for an art…’ (1961)
  96. Georg Baselitz ‘Pandemonic Manifesto I 2nd Version’ (1961)
  97. El Techo de la Ballena ‘For the Restitution of Magma’ (1961)
  98. Josip Vaništa ‘Untitled (Gorgona Manifesto) (1961)
  99. Maya Deren ‘A Statement of Principles’ (1961)
  100. Rafael Montanez Ortiz ‘Destructivism: A Manifesto’ (1962)
  101. Jikan-Ha ‘Manifesto of the Jikan-Ha Group’ (1962)
  102. George Maciunus ‘Fluxus Manifesto’ (1963)
  103. Wolf Vostell ‘Manifesto’ (1963)
  104. Stan Brakhage ‘Metaphors on Vision’ (1963)
  105. Group 1890 ‘Group 1890 Manifesto’ (1963)
  106. Alberto Greco ‘Manifesto Vivo-Dito) (1963)
  107. Stanley Brouwn ‘A Short Manifesto’ (1964)
  108. Derek Jarman ‘Manifesto’ (1964)
  109. Tadeusz Kantor ‘The Emballage Manifesto’ (1964)
  110. Aktual Art ‘Manifesto of Aktual Art’ (1964)
  111. Otto Mühl ‘Material Action Manifesto’ (1965)
  112. HAPPSOC ‘HAPPSOC Manifesto’ (1965)
  113. David Medalla ‘MMMMMMM…Manifesto (a fragment) (1965)
  114. Július Koller ‘Anti-Happening (Subjective Objectivity System) (1965)
  115. Robert Venturi ‘Non-Straightforward Architecture: A Gentle Manifesto’ (1966)
  116. Arte de los Medios de Comunicación Masivos ‘A Mass-Mediatic Art (1966)
  117. I.G. Plamen and Marko Pogačnik ‘OHO’ (1966)
  118. Lev Nussberg ‘A Kinetic Manifesto’ (1966)
  119. The Aouchem Group ‘The Aouchem Manifesto’ (1967)
  120. The Vanguard Artists’ Group ‘Tucumán Arde Manifesto’ (1968)
  121. Gilbert and George ‘The Laws of Sculpture’ (1969)
  122. Mierle Laderman Ekeles ‘Maintenance Art Manifesto’ (1969)
  123. Eduardo Costa ‘Useful Art Manifesto’ (1969)
  124. The Casablanca School ‘Manifesto’ (1969)
  125. Hori Kōsai ‘Why Are We “Artists”?’ (1969)
  126. The Organisation of African Unity ‘Pan-African Cultural Manifesto’ (1969)
  127. Agnes Denes ‘A Manifesto’ (1969)
  128. The New Vision Group ‘Towards a New Vision’ (1969)
  129. Paul Neagu ‘Palpable Art Manifesto’ (1969)
  130. Gilbert and George ‘What Our Art Means’ (1970)
  131. Grupo Vértebra ‘The Vértebra Manifesto’ (1970)
  132. Artur Barrio ‘MUD/MEAT SEWER’ (1970)
  133. Gyula Pauer ‘The First Pseudo Manifesto’ (1970)
  134. Rivolta Femminile ‘On Woman’s Absence from Celebratory Manifestations of Male Creativity’ (1971)
  135. Ted Joans ‘Proposition for a Black Power Manifesto’ (1971)
  136. Jaroslaw Kozlowski and Andrzej Kostolowski (NET Manifesto’ (1972)
  137. VALIE EXPORT ‘Women’s Art: A Manifesto’ (!972)
  138. Mike Brown ‘I don’t know what to think about anything (It don’t matter, nohow)’ (1972)
  139. Vitaly Komar and Aleksandr Melamid ‘Sots-Art KManifesto’ (1972-3)
  140. Anita Steckel ‘Statement on Censorship’ (1973)
  141. Shakir Hassan al-Said ‘One Dimension’ (1973)
  142. Barbara Jones-Hogu ‘The History, Philosophy and Aesthetics of AFRI-COBRA’ (1973)
  143. Douglas Davis ‘Manifesto’ (1974)
  144. Generation Anak Alam ‘Manifesto Generation Anak Alam’ (1974)
  145. Sulaiman Esa and Redza Piyadasa ‘Towards a Mystical Reality’ (1974)
  146. Mikhail Chemiakin and Vladimir Ivanov ‘Metaphysical Synthetism Manifesto: Programme of the St Petersburg Group’ (1974)
  147. Maroin Dib and others ‘Manifesto of the Arab Surrealist Movement’ (1975)
  148. The Artists’ Front of Thailand ‘Manifesto of the Artists’ Front of Thailand’ (1975)
  149. The Indonesian New Arts Movement ‘Manifesto of the Indonesian New Arts Movement’ (1975)
  150. Rasheed Araeen ‘Preliminary Notes for a BLACK MANIFESTO’ (1975-6)
  151. The Azad Group ‘Manifsto’ (1976)
  152. Kaisahan ‘Kaisahan Manifesto’ (1976)
  153. Maria Klonaris and Katerina Thomadaki ‘Manifesto for a Radical Femininity for an Other Cinema’ (1977)
  154. Rem Koolhaas ‘Delerious New York: A Retroactive Manifesto for Manhattan’ (1978)
  155. Valerie Jaudon and Joyce Kozloff ‘Art Hysterical Notions of Progress and Culture’ (1978)
  156. Melissa Meyer and Miriam Schapiro ‘Waste Not Want Not: An Inquiry into What Women Saved and Assembled – Femmage’ (1978)
  157. Grupo Antillano ‘Manifesto’ (1978)
  158. The Crystalist Group ‘The Crystalist Manifesto’ (1978)
  159. Mangelos ‘manifsto of manifesto’ (1978)
  160. Huang Rui ‘Preface to the First Stars Art Exhibition’ (1979)
  161. Coop Himmelblau ‘Architecture Must Blaze’ (1980)
  162. Andrzej Partum ‘Animal Manifesto’ (1980)
  163. Reality and Utterance ‘On Founding “Reality and Utterance” ‘ (1980)
  164. Habib Tengour ‘Maghrebian Surrealism’ (1981)
  165. Eddie Chambers ‘Black Artists for Uhuru’ (1982)
  166. Colectivo de Acciones de Arte ‘A Declaration be the CADA’ (1982)
  167. John Akomfrah ‘Black Independent Film-Making: A Statement by the Black Audio Film Collective’ (1983)
  168. Women Artists of Pakistan ‘Women Artists of Pakistan Manifesto’ (1983)
  169. Bedri Baykam ‘The San Francisco Manifesto’ (1984)
  170. Vladan Radovanović ‘The Vocovisual’ (1984)
  171. Laboratoire AGIT’art ‘Memory of the Future?’ (1984)
  172. Dumb Type ‘Flyer for Plan for Sleep #1’ (1984)
  173. Georg Basielitz ‘Painter’s Equipment’ (1985)
  174. Chinese United Overseas Artists ‘Manifesto Chinese United Overseas Artists’ (1985)
  175. NSK ‘Internal Book of Laws’ (1985)
  176. Vohou-Vohou ‘The Vohou-Vohou Revolution’ (1985)
  177. The Pond Association ‘Declaration of the Pond Association’ (1986)
  178. Wang Guangyi ‘We – Participants of the ” ’85 Art Movement” ‘ (1986)
  179. Chila Kumari Burman ‘There Have Always Been Great Blackwomen Artists’ (1986)
  180. The School of the One ‘Founding Manifesto’ (1986)
  181. Ding Fang ‘Red Brigade Precept’ (1987)
  182. Anita Dube ‘Questions and Dialogue’ (1987)
  183. R.B. Kitaj ‘First Diasporist Manifesto’ (1989)
  184. The Eye Society ‘The Eye Manifesto’ (1989)
  185. Eda Čufer and IRWIN ‘The Ear behind the Painting (1990)
  186. Dale Nason ‘Cyber Dada Manifesto’ (1991)
  187. VNS Matrix ‘Cyberfeminist Manifesto for the 21st Century’ (1991)
  188. Lebbeus Woods ‘Manifesto’ (1993)
  189. Marko Peljhan ‘Projekt Atol Manifesto: In Search for a New Condition’ (1993)
  190. Dogme 95 ‘Manifesto’ (1995)
  191. Michael Betancourt ‘The —- Manifesto’ (1996)
  192. Charles Jencks ’13 Propositions of Post-Modern Architecture’ (1996)
  193. The Institute of People-Oriented Culture “Taring Padi” ‘Manifesto’ (1998)
  194. Werner Herzog ‘Minnesota Declaration’ (1999)
  195. Billy Childish and Charles Thomson ‘The Stuckist Manifesto’ (1999)
  196. Takashi Murakami ‘The Super Flat Manifesto’ (2000)
  197. Billy Childish and Charles Thomson ‘Remodernist Manifesto’ (2000)
  198. Frente 3 de Fevereiro ‘Manifesto of Frente 3 de Fevereiro’ (2004)
  199. R.B. Kitaj ‘Second Diasporist Manifesto’ (2007)
  200. Austin Williams and others ‘Manifesto: Towards a New Humanism in Architecture’ (2008)
  201. Pélagie Gbaguidi ‘Manifesto Against The “Black Code” edict of Louis XIV, 1685 (2008)
  202. Adam Pendleton ‘Black Dada’ (2008)
  203. Yvonne Rainer ‘A Manifesto Reconsidered’ (2008)
  204. Edgeworth Johnson, Shelley Li and others ‘The Founding Manifesto and Rules of the Other Muswell Hill Stuckists’ (2009)
  205. Allyson Mitchell ‘Deep Lez’ (2009)
  206. Abounaddara ‘What is to be done?’ (2011)
  207. Tania Bruguera and Immigrant Movement International ‘Migrant Manifesto’ (2011)
  208. Tania Bruguera ‘Manifesto on Artists’ Rights’ (2012)
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